A “Talkies” series of video interviews with filmmakers continues a string of ambitious digital and real-world experiments: a stint providing indieWIRE with reviews, guest-programming movie series, and even arranging for distribution of the documentary A Lion in the House in 10 cities in 2006.—Violet Lucca, Senses of Cinema A veritable institution in the world of online film journals, the 10-and-a-half-year-old Senses of Cinema continues to be one of the most vigorously diverse sources of scholarly research and commentary on the Web. Yet as its tagline, “Reports from the Lost Continent of Cinephilia,” suggests, it also serves as a venue for Kehr to bring his critical intelligence and knowledge to bear far beyond the home-video landscape. In a defense of Lindsay Lohan, for instance, Kuersten (who has written about his struggles with alcohol) both calls out the public’s gender bias and then offers the oft-soused starlet some AA-inspired solidarity. Newsweek essay was the wittiest media critique I’ve read all year.) Kenny has always been ambivalent about the position online criticism holds in the cultural discourse. Started out using it as a sort of 'film diary' really, but it's got a great community of contributors posting interesting/insightful reviews. Sifting through the several thousand articles on the site, a reader can’t help but feel nostalgic for the days when Rosenbaum was producing his lucid, erudite prose on a regular basis. Hi, We all like to be a critic, that’s what makes watching independent films so rewarding. In practice this means that the content is delightfully varied: reviews of new releases, coverage of repertory events in the Los Angeles area, nostalgic looks back at trashy gems that won’t even play on cable. The blog’s backbone is formed by entries linking to his weekly column, but the real action occurs in the comments section, where discussions are sparked by Kehr’s remarks on everything from the state of film criticism to the careers of Nagisa Oshima and Sydney Pollack. Unapologetically auteurist in design, Strictly Film School’s biggest draw is its jaw-droppingly extensive Director’s Database that boasts over 500 names, from canonical faves like Chantal Akerman and Pedro Almodóvar to the less known (but no less worthy) Joaquim Pedro de Andrade and Lisandro Alonso—and that’s just scratching the surface of the As. Wright has recently been considering the implications of 3-D, particularly with regard to how it might alter the soundscape of feature films. . 4 Week Filmmaking and Acting Certificates, Designated Charity: Independent Film Trust. The site sets itself apart through its assemblage of talented contributors, many of whom are able up-and-comers in New York’s criticism and repertory programming scenes. Thank for sharing about Movie, in the July-August 2010 Issue, The Self-Styled SirenClassical Hollywood fetishism has found a most enchanting ambassador. I wrote a article about it and covered reviews on upcoming Hollywood,Bollywood movies. Since its birth in late 2003, co-editors Helen Bandis, Adrian Martin, and Grant McDonald, along with webmaster Bill Mousoulis, have guided this labor of love (enigmatically named after a 1968 Gérard Fromanger flag painting and Godard collaboration) through 13 issues so far. As the next-generation heir to Tim Lucas of Video Watchdog (see separate entry), Tooze has maintained pressure on home-video distributors to keep raising the bar of image and audio quality. You can’t ask for much more from a critic.—Matt Noller, UndercurrentSpartan and straightforward, the online magazine Undercurrent gets by without the hard sell—and that’s no small matter. Create the logo for a new film criticism website - The Cinessential; Cliente 99designs. Kehr observes that the culture of cinephilia “used to be about, for instance, hanging out in the lobby of the Museum of Modern Art and starting a discussion or argument.” But now, he adds, these encounters largely take place “home alone”—usually spurred by a DVD, TCM, or something online. Her obituaries are the most dependably poetic on the scene. A companion to his more text-centric Cinema Styles, Greg Ferrara’s blog consists entirely of film stills: moments snatched from their 24 frames-per-second rush and held up to the digital light for closer inspection. With a no-nonsense formality, the visitor is offered three resources: his films, his writings, and his photos. The best film criticism books for cinephiles, including essay collections from Pauline Kael and Roger Ebert, immersive histories, and more. Keep a watchlist of films you’d like to see, and create lists/collections on any topic. The Notebook, meanwhile, provides a top-notch example of the indispensable work that a dedicated news-aggregator can perform in the age of the RSS feed. A recent piece analyzed the rogue cinephilia of underground video mixtapes, most of which are of questionable legal status. November 2020. Amazing article. You have described a great list. And serious lovers of film criticism can appreciate Kenny’s regular lambasting of his two favorite punching bags, Hollywood Elsewhere’s Jeff Wells and the New York Press’s Armond White.—Evan Davis, Wright On Film Writing with a Bordwellian clarity and analytical rigor that’s perfect for unpacking the components of cinematic form, Benjamin Wright’s site is a fount of smart discourse on modern film aesthetics. So it’s no surprise to find that websites catering to avid DVD collectors constitute some of the most spirited precincts of online film culture. He is the author of three books: Engaging Film Criticism: Film History and Contemporary American Cinema (2004), Bewitched (2007), and Gilligan’s Island (2012). Later, for the short-lived Cinema Magazine, he wrote at length about Boetticher and Rossellini, two filmmakers who almost made the grade (alongside the holy trinity of Ozu, Bresson, and Dreyer) in Schrader’s 1972 book Transcendental Style in Film.—Paul Fileri, Observations on Film ArtFilm scholar David Bordwell is a one-man institution—not only a font of productivity (staple volumes Film Art and Film History, co-written with wife Kristin Thompson, are now in their ninth and third editions, respectively) but a kind of eager, plainspoken ambassador for the field. In other words, this site separates the wheat from the chaff in order for you to select your Friday night viewing! The results are some of the most enlightening discussions on film style, theory, and history this side of davekehr.com (Shambu counts among his frequent contributors such heavy-hitters as Adrian Martin and Jonathan Rosenbaum). During his time there, he wrote such notable reviews as a two-part exploration of Pickpocket, a favorable take on De Palma’s Greetings, a marvelous pan of Easy Rider, and an ode to Boudu Saved from Drowning. http://viooz.as/ This one is absolutely free and legal as well. This bilingual Francophilia is to everyone’s benefit: translations of news items and interviews otherwise unavailable in English and illuminating comparisons of European and American responses appear regularly. London, England, United Kingdom About Blog Founded in 2012, this is an entertainment website dedicated to film reviews, movie trailers, film festivals, and indie film making. For Cakarel, the value of their growing online catalogue (roughly 1,000 on offer globally) rests on the diversity and quality of its holdings and the thoughtfulness of the programming. it tended to produce.” They hope to “cultivate a space [for] more speculative and porous ways of thinking that can cut across the typical genres, styles, and media of thought.” The first issue was entitled “Jargon” and approached, in a manner both critically acute and slyly ruminative, the ways that epithet gets bandied about. As a whole, The Auteurs proves a worthy reminder that commerce and culture can be deeply intertwined when film devotees try to figure out how to get their hands on the movies they love.—Paul Fileri, Order of the ExileJacques Rivette’s cinema has never been easy to track down. The retro lack of a comments field (except for on the blog) allows the opinions expressed to endure with authority. That’s another amazing post , Thanks for sharing… It’s an increasingly familiar figure who enters these virtual gathering places: the domestic cinephile, constantly struggling with the ever-present pitfalls and temptations of technophilia, consumer fetishism, and the withdrawal from public space.—Paul Fileri, Dave KehrThe best blogs thrive as online meeting places for discerning enthusiasts—a modest-sounding accomplishment that actually means a great deal. Now under the stewardship of Time Out New York critic Keith Uhlich (and housed as the official blog of the outstanding online arts mag Slant), THND publishes articles on art cinema, Hollywood blockbusters, television shows, critical dialogues about bona fide classics, in-depth festival coverage, and just about anything else that interests the always perspicacious, ever evolving writing staff of Seitz and Uhlich’s venture. A recent post quoted Jean-Claude Rousseau’s “La beauté n’est jamais fictive”: perhaps the beauty of cinema is in its truth, and vice versa. Whether re-evaluating old masters like Ozu and Bresson, championing contemporary favorites like Andrew Bujalski and the Dardenne Brothers, highlighting under-praised work in niche periodicals, or getting into the weeds of film festival politics, Cummings continually breaks new ground. While he may indeed be an academic (he has a background in visual art and teaches university film courses), there’s nothing dry about his writing. And here’s how we can help you! Most film critic societies do not allow internet-only members – and are oftentimes frequented largely by print, television, or radio critics. AICN’s “agents” track down pre-production gossip, aggressively solicit first-look access to promotional materials, sneak in (though by now they’re usually invited) to test screenings—all the while engaging in feverish “What-if…?” speculations. In its acts of resurrection and commitment, Mubarak Ali’s blog embeds itself in the truths and beauties of the cinema it chronicles. https://movies clouds.com. Online film criticism Aggregators. All websites you shared in this list are great. We want to provide you with some tips on how to write a movie critique (and remind you to proofread it by Grammarly) because it’s not as easy as it seems, and we’ve seen many students stumble over this minor challenge during their educational careers. And if you’re still waiting for the definitive appraisal of oddball icon Clint Howard, your day has arrived.—Jesse P. Finnegan, Sergio Leone and the Infield Fly RuleIn a media environment that rewards snark, however joyless, Dennis Cozzalio is an affable and refreshing voice. Reader to the Chicago Reader), contributed pieces to Senses of Cinema, and provided several essays for the British DVD imprint “Masters of Cinema”—but his blog doesn’t beat around the bush when it comes to its geographic specificity. Fujiwara, who grew up in Brooklyn and has lived in Tokyo for the past three years, says he seeks to steer the journal toward examination of the critical scenes in countries outside North America and Europe, and spur more thinking on “the theory and practice of criticism, the ways it gets written and read, in practical terms, and what critics’ goals and ideals are.”—Paul Fileri, DVD BeaverWith its wealth of screen grabs direct from their DVD or Blu-Ray sources, Gary Tooze’s DVD Beaver is the go-to site for home-cinema perfectionists. Since AICN operates on the principle that creators of cultural products are beholden on principle to their most rabid fans, it’s unclear how many of the site’s 300,000-plus monthly audience is there for the coverage and reviews themselves and how many are merely gawking at the reader-forums sideshow.—Violet Lucca, The Man Who Viewed Too MuchThose bemoaning the death of print criticism might just have Mike D’Angelo to blame. If you are hungry for a more academic based site, then Film Comment is for you! Film criticism . Rotten Tomatoes gathers together all of the reviews from top publications and then averages out their scores. In fact, one would be hard-pressed to find an online film magazine as inclusive or expansive as this one. (From an appreciation of 1982’s Conan the Barbarian: “The Thulsa Doom serpent cult in the film was a perfect analogy for the hippie movement, with its focus on converting young people to blood orgies and training them to kill their parents . Hi you provided a lot of good information here..,The one more website about movie reviews_ https://filmfans.in, Really great info admin. In addition to top-notch criticism, the sleekly designed website features an exhaustive but easily navigable list of online resources for cinema-related research, a calendar highlighting the most significant film events around the world, and an audio treasure trove of MOMI’s Pinewood Dialogues with film and TV luminaries.—Andrew Chan, Artforum.com Continuing Artforum’s tradition of film writing begun in the late Sixties by such luminaries as Annette Michelson and Manny Farber, the film blog at Artforum.com also gives space to a wider range of subjects than the print publication and more reflections from a welcome roster of critical voices including James Quandt, Amy Taubin, Jonathan Rosenbaum, Ed Halter, Nicolas Rapold, Melissa Anderson, Andrew Hultkrans, Michael Joshua Rowin, and more. They also have a nice range of trailers available! As well as film reviews, some readers might like to engage with various aspects of film criticism and contemporary cinema. Mubi (the website formerly known as The Auteurs) The driving force behind The Criterion Collection’s November 2008 website overhaul, The Auteurs combines a film library with a social networking platform and an online journal called The Notebook. His short-form reviews waste not a word; as the father of a young child, he doesn’t have the time to spare. Fred Camper. 5 out of 5 stars. Now arrayed with the characteristic accoutrements of fashionable journalistic ventures—feeds for news and blog links, rankings of articles, prominent advertising—indieWIRE has further consolidated its status as an alternative to the industry trade paper Variety. Weighing in on topical debates—from 3-D and hyper-fast editing to the culture of the Academy Awards and (yes) the future of film criticism—Emerson isn’t afraid to call bullshit when he sees it, but he reliably turns every takedown into a constructive “learning moment.” A proud member of Colbert Nation, Emerson’s incisive responses to legacy-media “trend pieces” are an almost weekly reminder that the MSM is not as meaningfully quality-controlled as they pretend. If you ever wanted to let people know how many medium close-ups were used in Patton, or what Anchorman’s median shot length is, now’s your chance to scratch the statistical itch that’s been driving you crazy!—Evan Davis, Paul SchraderPaul Schrader, well appointed in tailored vest, glares at you through round wire frames on the home page of his new website. For connoisseurs of criticism, D’Angelo’s voice is immediately recognizable for its unique cadence: a blistering mix of erudition and wit that’s at once stimulating and pleasurable, thorny and inviting. Check out the eminently useful worldwide DVD release calendar posted on the sharply designed home page and explore five years’ worth of DVD of the Year readers’ polls. There's a few there I wasn't aware of so will check them out. CiteSeerX - Scientific articles matching the query: A Film Criticism Website Based on "ThinkPHP". While the filmography and collection of images are predictable fare, the real action goes down in the archives containing his film criticism. Jesus Revolution V.2 may be release this year. The days of greybeard, white men writing reviews and chastising a film for not living up to a French film released 40 years prior are over. There are two different types of publications that offer opinions about films: Academic criticism by film scholars that appears in scholarly journals; Journalistic film … In conclusion, I want to say that the content at http://viooz.as/ is provided in best quality, so you will be pleased to use this kind of movie source. Not Coming increased its profile in 2009 by partnering with the NYC revival venue at 92YTribeca, where editors and contributors present public screenings of rare and controversial classics. More importantly, Sallitt provides a personal record of the diverse movies (from repertory screenings to new releases) and venues (from prominent venues like BAMcinématek and the Walter Reade to relative newbies like Maysles Cinema and assorted mini-festivals) that collectively constitute NYC’s film scene.—Cullen Gallagher, Jonathan RosenbaumIn the late Nineties and early Aughts, the Chicago Reader film section was a major hub of cinephilia’s online landscape. If you don’t mind, I would like to add to this list one more movie website. Rector’s compilation of discrete cultural moments does more than unearth forgotten episodes of (film) history. D’Angelo went on from Entertainment Weekly to write for Time Out New York and Esquire, and though the economy would eventually deprive him of those gigs, The Man Who Viewed Too Much is still around and he continues to write for print venues—the Las Vegas Weekly, Nashville Scene, and The Onion’s A.V. Not only is the Siren the best film geek friend you ever had, but she’s an increasingly powerful force.—Brynn White, Strictly Film SchoolNo one embodies cinephilia in the Internet age better than the pseudonymous Acquarello (aka Pascual Espiritu), a self-described “NASA flight systems design engineer” who single-handedly creates all the content for Strictly Film School. By The Guardian film section is great in print form and even better online! It also has a sub section to view their scores of other film publications! Over at The Seventh Art, however, movies elsewhere given the 150-word write-off become the subject of lengthy reflection—the kind that newspapers normally reserve for important stuff like Sex and the City 2. Tracking the intersecting vectors of technological and aesthetic evolution, Diagonal Thoughts is nothing less than the cinephile’s survival guide for the 21st century.—Jesse P. Finnegan, Not Coming to a Theater Near YouRumsey Taylor was reared in the hinterlands of rural Kentucky, nurtured by VHS rentals and late-night cable TV. Futhermore, it is very easy to handle with and to get used to it. But this is a place where “American movies” tend to mean Bush Mama and Los Angeles Plays Itself rather than Avatar and its ilk. 1) Scribophile www.scribophile.com Simple… An online journal of film criticism. Topics range from the character of Michael Mann’s close-ups to speculation on the almost-projects of great directors, but Wright (a graduate student at Carleton University in Ottawa) perhaps shines brightest when discussing his dissertation topic: sound in modern movies. Therefore, we’re proud to accept applications for all internet-based film critics (as well as those with multiple outlet mediums), and we base acceptance solely on a critic’s quality of work, not on their membership in other existing societies. But the Internet can be credited with extending his name’s reach among a wider movie-loving readership, and this exhaustive online anthology ensures that we can all continue to learn from his work.—Andrew Chan, RougeAfter wandering through the new-media forest of so many hyperactive, cluttered web pages, the spare layout of the Australia-based online film journal Rouge feels like a clearing in a forest—a clean, well-lighted place for an ardently cinephilic readership interested in some of today’s finest long-form critical writing. Websites such as Rotten Tomatoes and Metacritic, seek to improve the usefulness of film reviews by compiling them and assigning a score to each in order to gauge the general reception a film receives. The founding editor-in-chief of RogerEbert.com maintains an addictively enjoyable side project in Scanners, a blog that should appeal to all four of the above demographics and everyone in between. And since its launch in September 2006, “Observations on Film Art” certainly stands as the most robust and active online home of any film-studies academic. Her extensive research is a valuable corollary to the Hollywood Babylon school of salacious folklore; not that the blog is without juice (delicious bon mots care of her beloved George Sanders) or mystery (a reverential moment of silence for Charles Boyer’s “incomparable way with a hat”). (Jim’s response to Ramin Setoodeh’s infamous can-gay-actors-play-straight? Whether he’s unpacking complicated films with astonishing insight, defending a misunderstood triumph, or tearing down a seemingly unassailable critical favorite, Sicinski’s voice is one of almost scary intelligence—but it’s never haughty or condescending. online watch movie hd Film About A … Your opinion is more or less the same as main. They have an extremely wide selection, as well as, urls to sites like New York Times, Newsday and Time Out New York. Some months there may be as few as two or three entries, but the thoroughness of Sallitt’s historically informed criticism gives his blog a distinctive lasting value. Are you interesting in writing a film review? Sallitt has written for print publications across the country (from the L.A. This will be a great resource for new blog. all of the tips which you included are very helpful. Thus, the art of film criticism is an easy one to unlock if we go into any film with the premise that we’re going to enjoy it, and if we don’t, then the whys need to be properly examined. Factor in their invaluable “Great Directors” series—over 200 lengthy entries currently available, and more to come—and Senses of Cinema deservedly earns its reputation as a mainstay of the digital film-criticism universe.—Matthew Connolly, ScannersIn the realm of Internet criticism, there’s been a lot of commentary on the gulf dividing fanboys and academics, but when it comes to unfortunately polarizing tendencies, there’s still another Great Schism: the altar boys and the assholes: humorlessly earnest, mind-numbingly reverent hagiographers and caustically negative, bitchy would-be satirists. http://www.jellypedia.com. The well-known metric ASL (Average Shot Length) was popularized thanks to Tsivian’s efforts, who built upon Barry Salt and Bordwell’s pioneering work to generate historical and aesthetic conclusions about film style based on hard numerical data. Srinivasan’s expansive view doesn’t ignore U.S. cinema; the blog’s coverage of Inglourious Basterds remains among the most densely packed and satisfying on the Web. For kids wondering why they weren’t growing up drowned in orgies like their older brothers in the 1970s, [it] was the perfect demonization tool.”) But following the snaking paths of his musings proves quite rewarding, not least for the way he intertwines the analytical with the personal. Film criticism is the comparison, analysis, interpretation, and/or evaluation of films. If you are looking for the daddy of all film review websites, Roger Ebert’s has to be it. Film Criticism is a peer-reviewed, online publication bringing together scholarship in the field of cinema and media studies since 1975. Film Criticism Journal. Alternating between directorial profiles, reviews of new releases, and reconsiderations of older works, Srinivasan’s posts are erudite yet accessible, displaying astute formal analysis and a deep knowledge of film history (a recent post on Lisandro Alonso persuasively connected his oeuvre to those of Tsai Ming-Liang, Robert Bresson, and the Italian Neorealists). Film criticism is intended to give more scholarly and lengthy treatment of a film often with regard to other issues such as historical context, theory, or technical analysis. Free of commercial and institutional strictures, Rouge boasts an enviable international stable of contributors—Jonathan Rosenbaum, Nicole Brenez, Shigehiko Hasumi, Thomas Elsaesser, and William D. Routt, to name a few—and a remarkable commitment to the eclectic and intellectual at its most lively, relevant, and generative. Thanks for sharing this article. Not every critic is the same. 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